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She's
Got a Cause
mp3 [3:28] 4.8 MB
August,
2003
taken from
Ministry's disavowed first album, this song serves as evidence that
Al Jourgensen had a sense of melody at one time- even if it was
inherited from several other synthpop gems.
the sole challenge
in covering this song was to filter the oddly upper-class British
delivery by a suburban Midwesterner through a Boston accent. culture
clash.
Programmed
and performed by Raziel as the result of an inexplicable, long-standing
need to get it recorded.
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Burning
Skies mp3
[6:12] 7.2 MB
late
Nov / early Dec, 2002
this is a relatively
straightforward cover of the wonderful Tones on Tail song. Inspired
by the need to record with guitars again after so many months of
rehearsing the all-electronic material.
John O'Leary played
the guitars, trying to do his best Dan'l Ash, and killing 3 batteries
in the E-bow. he also handled the vocals, requiring nearly an entire
bottle of bourbon to reach the «relaxed» mood so evident
on the original.
Raziel realized
that you can't overstate the importance of the bass playing of Glen
Campling. pulling off this deceptively simple-sounding bass part
was considerably harder than it seems.
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Warsaw
mp3 [3:13] 3.0 MB
mid-Summer,
1995
our contribution
to the Mere Mortal productions Joy Division tribute «Ceremonial».
the album also
included fantastic artists like Lycia, SubVersion, and Trance to
the Sun. long out of print, our supply exhausted and used copies
going for $30 on Ebay, we decided to include our track here.
Raziel handled
the vocals, programming and live drums, as well as the engineering.
John played
the guitars, appropriately dressed like Bernard Sumner. he also
constructed the opening montage, including building all the telephone
sounds from scratch using sine waves in SoundEdit16. seriously.
if memory serves,
the long-lost Jason Arnone was the bassist on this track.
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Bela
Lugosi's Dead
mp3 [4:21] 4.0 MB
Winter, 1992
this track
obviously dates back to the early days. like most of our covers,
it was mainly done for fun, and not as some grand statement. even
so, i still frequently run into this one at the clubs.
this version
was originally done for the Oxygen Denial compilation, a vinyl-only
(!) sampler of various Industrial acts in the Boston area at the
time. it brings back memories of shows at the old Rat in Boston,
sharing the stage with bands like DDT, ZIA, and Struktur, and perhaps
under the influence of Skinny Puppy, lugging truckloads of synths,
drums, video screens and who-knows-what to every show.
before you
pass judgment on the recording quality, remember, it was made on
a Yamaha MT1X CASSETTE 4-track.
(actually, we had 2, and used one for parts.) |
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Wishing
(tame)
mp3 [3:47] 4.4 MB
Summer,
2002
a sudden whim
and a renewed fondness for the E-bow caused us to cover a song we
all loved from our dim past.
one of our favorite
Flock of Seagulls songs, it also exists in a straightforward, right
out of the 80's version. we decided to present a later, remixed
version to you, on the off chance it may get you up and dancing
in front of your computer.
once again,
Raziel: vocals, guitars and programming, and John O'leary: guitars
and sundry effects.
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Pandora
(death to life vers.)
mp3 [3:58] 5.5 MB
August,
1997
this is actually
one of the oldest You Shriek songs. it's origins reach back to Raziel's
high school days, or perhaps further.
the version
presented here however, is one recorded specifically for Mere Mortal's
Death for Life. a compilation of some of the most exciting Goth
artists at the time, including Human Drama, the Cruxshadows and
Sunshine Blind. all proceeds were to benefit AIDS charities. a sad
combination record company ineptitude and naivete eventually doomed
the album, without nearly raising enough for what is an important
cause.
on this track:
Raziel sang and played all instruments except for the eerie infinite
guitar, which was played by John.
If you like
what you hear, do for us what the record company couldn't do, go
to an AIDS charity like CAAF
and send them a dime or two. what could it possibly hurt?
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Version
1.0 (video)
Quicktime [5:10] 21 MB
dir:
T. Cormey
this was shot
primarily on 16mm, with some 8mm cut in, too. we were lucky enough
to have our hands on almost every aspect of the creation of the
video- from treatment to camera. there's no replacement for a good
director and cinematographer, but sharing in the production design
made this a fantastic experience for us.
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